Thursday 1 June 2017

PhD update: six months in

When I started this blog its avowed purpose was to be a forum for my research and academic work. Looking back over my posts from the last few months, it seems to have turned into more of a Pop-up Globe photo fest. (Sorry-not-sorry;  je ne regrette rien.) So, without further ado, here is a brief roundup of my recent much ado about nothings; or, my accomplishments in academia since starting my PhD.

  • presenting at the university's School of Humanities PhD students' seminar series
  • writing up my Blackburn conference presentation as a paper and submitting it to the Cerae journal (it made it past the desk-reject stage and is currently under review)
  • being invited to contribute a chapter proposal to an edited collection of essays on the family networks of medieval/early modern merchants (go the Blackburns!)
  • writing to This England magazine with a plea to those who have seen any productions of the York Mystery Plays since the 1950s, asking them to get in touch if willing to share any memories or information. (NB this request still stands, so anyone reading this who has been involved in any way with the mystery plays and has stories to share, please leave a comment!) So far this has yielded email contact from two lovely people who have sent me information about the Hastings mystery plays, a Times article reporting the £500,000 loss made on the 2016 York Minster production of the plays (what a shame), a copy of the 1957 York Festival Programme, a copy of the Exodus pageant performed in that production, and one very grateful PhD student with a renewed faith in the kindness of strangers.
  • applying to, and being accepted for, the University of York's visiting PhD student programme for a year; then balking at the prospect of paying £16,000 in tuition fees and having to decline the offer!
  • volunteering as a reader/reviewer for the Hortulus journal
  • attempting to learn French, which is pretty much indispensable for working with Middle English; and also, as it turns out, with early 20th century avant-garde drama. Alas, so far this has not been an unqualified success. My working knowledge of the French language is still largely restricted to what I have picked up from watching Henry V at the Globe. Couper la gorge!  
And looking ever onwards and upwards, here are my goals-still-in-progress:
  • passing my provisional year review (eek).
  • getting to York for the 2018 production of the mystery plays, and to explore the archives and city records there and at Lancaster and Bristol, as a 'visiting academic' (no fees required) as opposed to a 'visiting student' (large fees required).
  • ditto getting to Toronto University, where productions of the full cycle were staged in the 1970s and '90s.
  • submitting a paper proposal to the 2018 International Medieval Congress (IMC) in Leeds – and being accepted! 
And so, back to work...